iOS Photo Editing Apps and Data

I love data almost as much as I love photography, so I want EXIF information to be retained. I’ve noticed recently, while browsing through my Lightroom catalog, that a lot of my iPhone photos are missing information. So I wanted to perform a highly technical and scientific test to see which iOS apps did the best job of preserving the integrity of my photos’ data.

Unfortunately, I lack the patience for highly technical and scientific tests, so this is what I ended up with. I’ve also recently cleaned up the apps on my phone, so I’m only testing the photo editing apps that I chose to retain.

(Photos and screenshots are at the end of the post.) Continue reading

Final Cut Pro X now available in the Mac App Store

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Final Cut Pro X dropped today with a friendly $299 price tag. It’s not the full suite that we’re used to purchasing, but I actually like the ala-carte method better. Motion 5 and Compressor 4 are also available via the Mac App Store for $49 each. So for $400 you could be on your way to making some decent video productions.

When I have a chance to download and test, I’ll write up a quick review. For now though–has anyone else upgraded? Planning to upgrade? I’ve heard that there are some short-comings with this first release of Final Cut X, but I don’t see that stopping anyone from upgrading (just keep your current version handy in case there are issues.)

Apple – Press Info – Apple iWork Now Available For iPhone & iPod touch Users

CUPERTINO, California—May 31, 2011—Apple® today announced that its groundbreaking iWork® productivity apps, Keynote®, Pages® and Numbers®, are now available for iPhone® and iPod touch®, as well as iPad®. Created for the Mac® and then completely redesigned for iOS and Apple’s revolutionary Multi-Touch™ interface, Keynote, Pages and Numbers allow you to create and share stunning presentations, beautifully formatted documents and powerful spreadsheets on the go. iWork apps are available on the App Store™ for $9.99 each to new users and as a free update for existing iWork for iPad customers.

I can’t see myself typing up an entire document, or creating a Keynote presentation on my iPhone, but it is awesome that the functionality is available now.

If you already have these apps on your iPad, will you be using them on your iPhone/iPod Touch as well? If you don’t already have them, will you be purchasing now that they’re universal apps?

The New Photoshop Touch Apps Are Available on the Apple App Store | PHOTOSHOP.COM BLOG

Today, the highly anticipated Adobe Photoshop Touch apps – Adobe Color Lava, Adobe Eazel and Adobe Nav – for Apple iPad are now available in the Apple App Store.

These three initial apps from Adobe were developed using the Photoshop Touch Software Development Kit (SDK) in order to demonstrate the potential for new interaction between Photoshop CS5 and tablet devices.

So far, I’ve tried Color Lava and Eazel. Both are awesome. I haven’t had a chance to test the connectivity to Photoshop CS5 yet, but if it works like they say it does, this should be seriously cool.

MS Courier experience on the iPad? Maybe.

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Before the iPad came out, I was drooling over Microsoft’s Courier tablet. It was exactly what I wanted in a tablet. I made fun of the upcoming iPad because of the Courier. Then, of course, Microsoft bailed on the Courier, and I ended up loving my iPad. Having an app that features the functionality of the Courier on my iPad would be freaking awesome.

It sounds like the company has funding, but it will be awhile before the actual product hits the app store (if it even does.) I’m crossing my fingers.

Apple announces Final Cut Pro X

BREAKING: Apple announces Final Cut Pro X at SuperMeet
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 BREAKING: Apple announces Final Cut Pro X at SuperMeet

Today at the SuperMeet event, Apple announced Final Cut Pro X. It’s all 64-bit, and frankly, looks great.

Final Cut X is fully-color managed via colorsync, with a resolution-independent playback system. The whole gig uses Grand Central Dispatch, meaning rendering and other tasks can use multiple cores more easily. Color matching can be done between clips very simply. More advanced color correction can be done right within the app.

FCP X has also learned some new importing tricks, including automatic, non-destructive color balance fixing, media and more.

Editing has been overhauled, as well.. FCP X boasts a “magnetic timeline” that allows users to slide clips around the timeline, without disrupting the placement of other clips that might be in the way. Additionally, primary audio and video are locked together, and secondary audio sources can be tied to video clips as well, meaning accidental sync issues should be a thing of the past. Animating Keyframes are done in the timeline, as opposed to an additional window.

Clips can also have keywords applied to single sections, unlike in the past, when an entire clip had to use the same keywords. Clips can also be stored in iMovie-like collections, or be used to create easy-to-handle sequences, called “compound” clips. A new Inline Precision Editor makes editing clips together easier than ever, with previews of unused footage easy to access for trimming.

It is clear that Apple borrowed some things from iMovie for this. FCP now includes a film strip view for easier versioning and keyword tagging, not unlike iMovie.

FCP is more than just video, though. Audio appears to have gotten some love, too. FCP X can automatically analyze audio and sync similar audio clips. Waveform analysis looks like it has gotten beefier, with much better precision editing tools. Keyframing should also be easier in the new version. (See here.)

FCP X has built-in tools making editing b-roll easier. Dubbbed “Second Stories.” Gotta love Apple’s branding for this kind of stuff.

For those who are keyboard lovers (like me), FCP X seems to include far more in the way of keyboard commands. In his demo, Apple’s Randy Ubillos said, “everything can be driven from the keyboard.”

Reports are coming in that the demo is a “beta,” indicating that FCP X might not be quite ready for release.

Reports are also coming in that FCP X won’t require transcoding, which would be huge for DSLR users and others. Everyone who is tweeting from the event keeps saying how fast the demo looks.

FCP X will be released in June of this year, on the App Store, for just $299, according to @fcpsupermeet. The rest of the Final Cut Pro Studio (apps like Color, Motion, Compressor) were not mentioned at the event.

Information via PhotographyBay@fcpsupermeet, @reximilian, @robimbs

Image via @robimbs, via MacStories